
It's the group's seventh studio album since its 1992 debut, but the first to feature new singer Jeff Gutt.

Stone Temple Pilots are reborn on the band's latest - Stone Temple Pilots (2018). We expect to be able to supply it to you within 1 - 2 weeks from when you place your order. If you’re a lifelong fan of STP, as many in attendance clearly were, you came away entirely thrilled – feeling like you had the opportunity to hear most, if not all, of the songs you were hoping to hear live.2-6 weeks add to cart more by this artist Stone Temple Pilots The staging and lighting were minimalistic – allowing the music to really be the focus of the show, as it should be. The rest of the band sounded as tight and put together as you’d expect them to be. Gutt delivered a terrific performance of STP’s classic 90’s rock favorites and sounded authentic in doing so. The band played a little musical interlude while the situation was being resolved, but they did not return to Still Remains until security had finished dealing with it. Dean DeLeo simply shut it down and called out the two participants while security handled the situation. STP did something else fairly that was fairly unusual – they stopped in the middle of Still Remains to call out a man and woman who were pushing and shoving each other along the security barrier in front of the stage. That being said, there also seemed to be a couple hit songs that were noticeably missing such as Creep and Sour Girl. They hit a number of their top hits in the first dozen songs, including Army Ants, Big Empty, Plush, and Interstate Love Song. They launched right into 1992’s Wicked Garden followed immediately by 1994’s Vasoline. STP did something fairly unusual – they opened their show with two of their biggest hits. Be he was perhaps most interesting and engaging on more textured songs like Big Empty and Interstate Love Song. Dean DeLeo played out front and demonstrated that he hasn’t lost a beat on numbers like Wicked Garden, Pruno, and Hollywood Bitch. Original band members guitarist Dean DeLeo, bassist Robert DeLeo and drummer Eric Kretz sounded tight and, as always, sounded great. The music was authentically theirs regardless of who was singing it, they owned it and they simply loved it. Gutt performed those songs, all of them, admirably. They were there for the music that they grow up with and loved.



The fans didn’t seem to care that Gutt’s the “replacement” singer. Gutt has acknowledged “No one will ever fill Scott’s shoes and I’m not trying to – he’s a legend,” while at the same time recognizing that, “these songs deserve to be performed and people want to hear them.”Īnd judging from the Marquee crowd, Gutt’s absolutely right. Judging from Stone Temple Pilots’ show at the Marquee in Tempe on Saturday night, it looks like you simply be yourself and let the music do the talking. How do you front a band after it’s original singer, Scott Wieland, was found deceased on his tour bus and the band’s second singer, well-known and beloved Chester Bennington, moved on to focus on a different project and then also passes away? How do you approach that role? How do you go out there every night knowing that most fans are going to compare you to the original artist that they’ve heard on the radio and in person for almost 25 years? How do you slide in with the three founding members of the band who have been playing and touring together since 1990? Stone Temple Pilots perform at the Marquee Theatre on Ma(photo by Greg Cohen).
